
Not on display
- Artist
- Anthea Hamilton born 1978
- Medium
- PVC leatherette, silk satin acetate, cotton and steel on wooden base
- Dimensions
- Overall: 2120 × 1903 × 438 mm
- Collection
- Tate
- Acquisition
- Presented by Tate Members 2014
- Reference
- T14114
Display caption
Hamilton is interested in the resolution of the contradictory dynamic between two and three dimensions. Her sculpture use various strategies such as poster-prints applied to blinds, advertising hoardings, plywood props, and kimonos. Wrestler Kimono is suspended from a steel and wooden structure. Hung in this way, the kimono references the body yet has none of its volume and is rendered two-dimensional. This work draws on Japanese Kabuki theatre of the Edo period, where red and white checks represented the wrestler: the stronger the checks, the stronger the wrestler.
Gallery label, September 2016
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Film and audio
-
Anthea Hamilton Turner Prize 2016
The British artist introduces her exhibition Lichen! Libido! (London!) Chastity!
Explore
- abstraction(9,882)
-
- from recognisable sources(4,512)
-
- man-made(1,026)
- non-representational(6,712)
-
- geometric(3,099)
- formal qualities(12,721)
-
- pattern(360)
- clothing and personal items(5,884)
-
- kimono(6)
You might like
-
Rebecca Warren Versailles
2006 -
Rachel Whiteread Untitled (Floor/Ceiling)
1993 -
Liam Gillick Returning to an Abandoned Plant
2007 -
Julian Opie H
1987 -
Steven Claydon London Pixel Array 21
2012 -
Langlands & Bell (Ben Langlands and Nikki Bell) Adjoining Rooms
1989 -
Phyllida Barlow Untitled (Yellow Rack)
2006 -
Grenville Davey By Air
1989 -
Cathy De Monchaux Never forget the power of tears
1997 -
Vicken Parsons Untitled
2005 -
Avis Newman Sensible Ellipse of Lost Origin
1985–6 -
Rachel Whiteread Untitled (Floor)
1994–5 -
Vicken Parsons Untitled
2012 -
Grenville Davey Ce & Ce
1989 -
Steven Claydon Joanna (An Unsubstantial Fraction) (Of Substance Without Action)
2010