Benjamin Robert Haydon

Chairing the Member

1828

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On loan

Manchester Art Gallery (Manchester, UK): The Crowd

Artist
Benjamin Robert Haydon 1786–1846
Medium
Oil paint on canvas
Dimensions
Frame: 1745 x 2150 x 90 mm
support: 1524 x 1918 mm
Collection
Tate
Acquisition
Purchased 1946
Reference
N05644

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Benjamin Robert Haydon, ‘Punch or May Day’ 1829

Benjamin Robert Haydon Punch or May Day

1829
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Benjamin Robert Haydon, ‘The Raising of Lazarus’ 1821–3

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Solomon Alexander Hart, ‘Interior of a Polish Synagogue at the Moment when the Manuscript of the Law is Elevated’ 1829–30, exhibited 1830

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Frederick Goodall, ‘The Tired Soldier Resting at a Roadside Well’ 1842, exhibited 1842

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1842, exhibited 1842
Sir Charles Lock Eastlake, ‘The Colosseum from the Esquiline’ 1822

Sir Charles Lock Eastlake The Colosseum from the Esquiline

1822
On display at Tate Britain part of Walk Through British Art
Benjamin Robert Haydon, ‘Gentleman with a Horse’ 1844

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1844
Sir Charles Lock Eastlake, ‘Lord Byron’s ‘Dream’’ 1827, exhibited 1829

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1827, exhibited 1829
Sir Charles Lock Eastlake, ‘Haidée, a Greek Girl’ 1827, exhibited 1831

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1827, exhibited 1831
Sir Charles Lock Eastlake, ‘The Colosseum from the Campo Vaccino’ 1822

Sir Charles Lock Eastlake The Colosseum from the Campo Vaccino

1822

Samuel Prout The Chapel of St Joseph of Arimathea, Glastonbury, from the South-East

date not known
Sir Charles Lock Eastlake, ‘Mrs Charles H. Bellenden Ker’ 1835

Sir Charles Lock Eastlake Mrs Charles H. Bellenden Ker

1835
Edward Calvert, ‘Nude Study’ c.1830–50

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c.1830–50
Sir Edwin Henry Landseer, ‘A Distinguished Member of the Humane Society’ exhibited 1838

Sir Edwin Henry Landseer A Distinguished Member of the Humane Society

exhibited 1838
Sir Charles Lock Eastlake, ‘Christ Lamenting over Jerusalem’ 1846

Sir Charles Lock Eastlake Christ Lamenting over Jerusalem

1846