In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Highmore 1692–1780
- Medium
- Ink and watercolour on paper
- Dimensions
- Support: 77 × 118 mm
- Collection
- Tate
- Acquisition
- Presented by Mrs Joan Highmore Blackhall and Dr R.B. McConnell 1986
- Reference
- T04190
Catalogue entry
[from] Works on Paper and Vellum [T04173-T04237 and T04318-T04319]
Various media and sizes
Presented by Mrs Joan Highmore Blackhall and Dr Rosemary B. McConnell 1986
Prov: By descent from the artist to the donors
Lit: C.R. Beard, ‘Highmore's Scrap-Book’, Connoisseur, vol.93, 1934, pp.290–7, ‘Highmore's Drawings for Pine's Processions and Ceremonies’, Connoisseur, vol.94, 1934, pp.9–15; Alison S. Lewis, Joseph Highmore 1692–1780, PhD thesis, Harvard 1975 (University Microfilms International, Ann Arbor 1980), I, pp.230–1, II, pp.650–6, 659, III, figs.263–77, 279; E. Einberg and J. Egerton, The Age of Hogarth: British Painters Born 1675–1709, Tate Gallery Collections, 11, 1988, pp.64–71, all but last six repr.; Warren Mild, Joseph Highmore of Holborn Row, Ardmore 1990
All sheets have been irregularly cut; maximum dimensions only are given. All inscriptions, unless otherwise stated, are in pen and ink, and are thought to have been written by the artist's grandson Anthony Highmore (1758–1829).
The Highmore Gift, of which this is a part, is a collection of sketches, drawings, watercolours, engravings and some family papers which descended from the artist through the late Sir Anthony Highmore King, CBE, to the donors. The papers concern mostly nineteenth-century members of the family, but include Joseph Highmore's Paris Journal of 1734, published by Elizabeth Johnston, Walpole Society, vol.42, 1970, pp.61–104. The following items have been removed for conservation reasons from a scrap-book into which they had been pasted, in no particular order, by Sir Anthony Highmore King's grandmother Anna King, together with works by Susanna Duncombe (née Highmore) and later members of the family, as well as photographs, tracings and other fragments now in the Tate Gallery Archive. Nineteen drawings by Joseph Highmore for John Pine's twenty-plate set of engravings depicting the revival of the Order of the Bath, published in 1730, were sold from the King collection to Lord Fairhaven sometime after 1934 and are on loan to the Fitzwilliam Museum, Cambridge.
T04190 A Couple Seated on a Garden Bench
c.1740–50
Pen and grey wash on paper 76 × 118 (3 × 4 5/8)
Inscribed ‘J.H’ b.r.
A bare-headed gentleman is reading from a book to a lady who wears a wide-brimmed hat and concentrates on her tatting.
Published in:
Tate Gallery: Illustrated Catalogue of Acquisitions 1986-88, London 1996
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Joseph Highmore Sketch of a Group of Five Gentlemen around a Table
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Joseph Highmore A Family Group of Eight Persons and a Dog, Full-length
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Joseph Highmore A Family Group of Five Persons, Knee-length
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Joseph Highmore Group of Three Ladies in a Garden
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Joseph Highmore The Harlowe Family
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Joseph Highmore James Harlowe tries to Join the Hands of Clarissa and Mr Solmes by Force
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Joseph Highmore Clarissa and Mr Lovelace at the Garden Door
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Joseph Highmore Seated Putto. Verso: Fragment of a Figure Holding a Staff
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Joseph Highmore A Man Leaning on a Fence
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Joseph Highmore Family Group of Five Persons, Three-quarter-length
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Joseph Highmore Family Group of Five Persons in a Garden
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Joseph Highmore Two Studies for a Male Full-Length
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Attributed to Joseph Highmore A Couple Dressed in the Height of Fashion
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Attributed to Joseph Highmore The Adoration of the Magi
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