Not on display
- Artist
- Peter Kennard born 1949
- Medium
- Photographs, gelatin silver print, on paper and gouache
- Dimensions
- 250 x 210 mm
- Collection
- Tate
- Acquisition
- Presented by the artist 2007
- Reference
- T12473
Display caption
Between 1973 and 1974 Kennard worked as the full-time photomontage artist for the Workers Press, the daily paper of the Socialist Labour League. He says: ‘The point of my work is to use easily recognisable iconic images, but to render them unacceptable… to show new possibilities emerging in the cracks and splintered fragments of the old reality.’ Apartheid South Africa was used to accompany an article in Workers Press on ‘The Iron Heel, British Investment in South Africa’.
Gallery label, September 2018
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Peter Kennard Maggie Regina
1983 -
David Goldblatt Woman on a Bench, Joubert Park, Johannesburg
1975, printed 2001 -
Peter Kennard Who Killed Blair Peach?
1979 -
Don McCullin A Dead Palestinian Woman, while in the Background Christian Phalange Fighters were Looting Palestinian Farmers, Beirut
1976, printed 2013 -
Peter Kennard Protest and Survive
1980 -
Don McCullin The Murder of a Turkish Shepherd, Cyprus Civil War
1964, printed 2013 -
Peter Kennard Walter Benjamin
1990 -
Don McCullin Mercenary with Congolese Family, Paulus, Northern Congo
1965, printed 2013 -
Stephen Willats Living with Practical Realities
1978 -
Don McCullin Young Christian Youth Celebrating the Death of a Young Palestinian Girl, Beirut
1976, printed 2013 -
Don McCullin Starving Twenty Four Year Old Mother with Child, Biafra
1968, printed 2013 -
Don McCullin South Vietnam
1968, printed 2013 -
Peter Kennard Rubble
1989 -
Peter Kennard Decoration
1982 -
Stephen Willats ‘The Lunch Triangle’: Pilot work B. Codes and Parameters
1974