On loan
Hong Kong Museum of Art (Hong Kong, China): British Landscape
- Artist
- Sir Edwin Henry Landseer 1802–1873
- Medium
- Oil paint on canvas on mahogany
- Dimensions
- Support: 405 x 908 mm
frame: 1015 x 1220 x 130 mm - Collection
- Tate
- Acquisition
- Presented by Robert Vernon 1847
- Reference
- N00412
Display caption
Landseer achieved enormous success with his scenes of animal life, which ranged from the heroic to the sentimental. This is one of several Highland scenes where the stag is portrayed as a noble beast: having endeavoured to hold the hounds at bay by retreating to a deep stream, the stag is defiant even in his final torment, before the deer-stalker's fatal shot. As a primordial contest between man and Nature, the subject of hunting had been an important theme in British art since at least the eighteenth century. Here the sense of struggle is intensified by the tumultuous scenery.
Gallery label, March 2010
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Sir Edwin Henry Landseer High Life
1829, exhibited 1831 -
Henry Thomas Alken The Belvoir Hunt: Jumping into and out of a Lane
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Sir Edwin Henry Landseer Low Life
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Henry Thomas Alken The Belvoir Hunt: The Meet
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date not known -
Sir Edwin Henry Landseer A Distinguished Member of the Humane Society
exhibited 1838 -
Sir Edwin Henry Landseer Boy, Donkey and Foal - Mischief in Full Play
1822 -
Sir Edwin Henry Landseer A Scene at Abbotsford
exhibited 1827 -
Joseph Mallord William Turner Raby Castle: The East Front with Huntsmen, Horses, Hounds and Deer
1817 -
William Mulready The Last In
1834–5, exhibited 1835 -
Henry Thomas Alken The Belvoir Hunt: The Death
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William Mulready The Ford (‘Crossing the Ford’)
exhibited 1842 -
Sir Edwin Henry Landseer Dignity and Impudence
1839