Not on display
- Artist
- Charles Robert Leslie 1794–1859
- Medium
- Oil paint on canvas
- Dimensions
- Support: 215 × 283 mm
- Collection
- Tate
- Acquisition
- Bequeathed by Henry Vaughan 1900
- Reference
- N01793
Explore
- architecture(30,959)
- domestic(1,790)
- child(1,326)
- group(4,232)
- Bible: New Testament(545)
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- Christ(281)
- Disciple(7)
- Mark, chapter 9(1)
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Charles Robert Leslie Falstaff Personating the King
c.1851 -
Joseph Mallord William Turner Pilate Washing his Hands
exhibited 1830 -
Charles Robert Leslie A Scene from Milton’s ‘Comus’
exhibited 1844 -
Charles Robert Leslie ‘Slender Courting Anne Page’
c.1850 -
James Smetham Naboth in his Vineyard
1856 -
Sir John Everett Millais, Bt Christ in the House of His Parents (‘The Carpenter’s Shop’)
1849–50 -
Sir John Everett Millais, Bt Study for ‘Christ in the House of His Parents’
c.1849 -
Frederic George Stephens Mother and Child
c.1854 -
Sir John Everett Millais, Bt Study for ‘Christ in the House of His Parents’
c.1849 -
Frederick Yeates Hurlstone Sancho Panza Attended by his State Physician
exhibited 1868 -
William Charles Thomas Dobson The Child Jesus Going Down with His Parents to Nazareth
1856 -
Abraham Solomon Waiting for the Verdict
1857 -
Charles Robert Leslie The Carved Room, Petworth House, Sussex (c1856). Verso: Sketch of a Seated Male Figure in Van Dyck Costume (1844)
c.1856 -
Emily Mary Osborn Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15
1857
