In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Edith Maud Rawdon-Hastings, Countess of Loudoun 1833–1874
- Medium
- Graphite and ink on paper
- Dimensions
- Support: 154 × 400 mm
- Collection
- Tate
- Acquisition
- Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996
- Reference
- T09072
You might like
-
Joseph Mallord William Turner Vignette Study for Moore’s ‘The Epicurean’; The Spirits of the Orb
c.1837–8 -
Frederick Walker Study for ‘Marlow Ferry’
1861 -
Edward Lear View of Jerusalem
1858 -
Walter Howell Deverell Study for ‘Twelfth Night’
c.1850 -
Arthur Boyd Houghton Scotch Scene, for engraving
date not known -
William Bell Scott Rossetti’s Wombat Seated in his Master’s Lap
1871 -
Sir John Everett Millais, Bt The Disentombment of Queen Matilda
1849 -
John Crawford Wintour Traveller in a Wood
date not known -
John Crawford Wintour Study of Implements in the Corner of a Farmyard
date not known -
John Crawford Wintour Sketches of a Group of Peasants and Two Seated Children
date not known -
Daniel Maclise The Opera Box, Design for a Wood Engraving: Tracing, from the Principal Figure in Reverse
date not known -
Alfred Stevens Studies for the Wellington Monument
date not known -
John Leech Bathing
date not known -
George Augustus Henry Sala The Way It’s Done at the Casino. A Couple Dancing
1851 -
Walter Geikie Figure studies. Verso: Hills by the Sea
date not known
