In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Sir John Everett Millais, Bt 1829–1896
- Medium
- Ink and watercolour on paper
- Dimensions
- Support: 190 × 229 mm
- Collection
- Tate
- Acquisition
- Bequeathed by J.R. Holliday 1927
- Reference
- N04278
Explore
- music and entertainment(2,170)
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- singing(76)
- religious and ceremonial(1,669)
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- pulpit(27)
- actions: postures and motions(9,219)
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- legs crossed(156)
- sitting(3,371)
- congregation(44)
- universal religious imagery(862)
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- worship(66)
- nationality(18,324)
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- Scottish(2,802)
You might like
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Sir John Everett Millais, Bt The Disentombment of Queen Matilda
1849 -
Sir John Everett Millais, Bt Study for ‘Christ in the House of His Parents’
c.1849 -
Sir John Everett Millais, Bt A Baron Numbering his Vassals
1850 -
Sir John Everett Millais, Bt The Unjust Judge and the Importunate Widow
published 1864 -
Sir John Everett Millais, Bt The Marriage Feast
published 1864 -
After Sir John Everett Millais, Bt The Search. Verso: Sketch
date not known -
Sir John Everett Millais, Bt Study for ‘The Blind Girl’. Verso: Study for ‘Peace Concluded’
c.1854, c.1855 -
Sir John Everett Millais, Bt Study for ‘Christ in the House of His Parents’
c.1849 -
Sir John Everett Millais, Bt Study for ‘The Black Brunswicker’
c.1860 -
Sir John Everett Millais, Bt Study for ‘The Black Brunswicker’
c.1860 -
Charles Samuel Keene A Choir
date not known -
Sir John Everett Millais, Bt Study for ‘The Black Brunswicker’
c.1860 -
Sir John Everett Millais, Bt The Lost Sheep
published 1864 -
Sir John Everett Millais, Bt The Unmerciful Servant
published 1864 -
Sir John Everett Millais, Bt The Prodigal Son
published 1864