Not on display
- Artist
- Bruce Nauman born 1941
- Medium
- Neon lights and glass
- Dimensions
- Unconfirmed: 619 × 584 × 51 mm. Weight 65kg
- Collection
- ARTIST ROOMS Tate and National Galleries of Scotland
- Acquisition
- ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008
- Reference
- AR00607
Online caption
For his 1972 retrospective, Nauman proposed an outdoor work that would encircle the walls of the Los Angeles County Museum of Art, which stands adjacent to a famous prehistoric site, La Brea Tar Pits. The piece included the name of the site along with two anagrams of these four words depicted in neon tubing. This work is an indoor version that Nauman made in the same year. Throughout the early 1970s Nauman created several more luminous signs that used a combination of witty word games and bold colour to disturb the meaning of everyday phrases and expressions.
Explore
- abstraction(9,884)
-
- non-representational(6,713)
-
- text(1,047)
- formal qualities(12,722)
- humour(1,418)
- USA(623)
- education, science and learning(1,407)
-
- language(56)
You might like
-
Bruce Nauman Three Dead End Adjacent Tunnels, Not Connected
1981 -
Bruce Nauman d
1970 -
Bruce Nauman Raw-War
1971 -
Bruce Nauman M Ampere
1973 -
Bruce Nauman Untitled (Drawing for Enforced Perspective)
1975 -
Bruce Nauman Changing Light Corridor with Rooms
1971 -
Bruce Nauman Double Face
1981 -
Bruce Nauman NO (Black State)
1981 -
Bruce Nauman Corridor with Mirror and White Lights
1971 -
Bruce Nauman Double Poke in the Eye II
1985 -
Bruce Nauman Untitled
1965 -
Bruce Nauman Partial Truth
1997 -
Bruce Nauman Enforced Perspective: Allegory and Symbolism
1975 -
Bruce Nauman b
1970 -
Bruce Nauman e
1970