- Kenneth Noland 1924–2010
- Acrylic paint on canvas
- Support: 1765 x 1765 mm
- Purchased 1965
T00763 Drought 1962
Inscribed "'Drought" 1962 Kenneth Noland' on back of canvas
Acrylic on canvas, 69 1/2 x 69 1/2 (176.5 x 176.5)
Purchased from the Galerie Rudolf Zwirner (Grant-in-Aid) 1965
Prov: With Galerie Lawrence, Paris (purchased from the artist 1962); with Galerie Rudolf Zwirner, Cologne
Exh: Kenneth Noland, Galerie Lawrence, Paris, April-May 1963 (works not listed)
Repr: Kenworth Moffett, Kenneth Noland (New York 1977), pl.115
This is one of the last group of Noland's series of 'target' pictures which were painted from 1958-62, although the irregular halo and effect of rotation relate to the earlier ones. It was originally hung, according to the artist's indications, so that the two large white gaps in the fourth ring from the outside of the 'target' were at 3 and 5 o'clock. At the end of 1965 he visited the Gallery and decided that the effect of the picture would be improved by turning it 90§ so that these gaps came at 12 and 2 o'clock. The illusion of rotation that the slight irregularities produce is heightened by this change.
Kenneth Noland told the compiler that the titles of his works were always given after they were finished.
Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, p.564, reproduced p.564