In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Charles Ricketts 1866–1931
- Medium
- Wood engraving on paper
- Dimensions
- Image: 160 x 124 mm
- Collection
- Tate
- Acquisition
- Presented by Sir C. Holmes 1924
- Reference
- P01047
Explore
- architecture(42,293)
- leisure and pastimes(7,761)
- eating and drinking(756)
- drinking(274)
- eating and drinking(756)
- literature and fiction(3,208)
- nature(46,527)
- plants and flowers(2,763)
- flower(777)
- plants and flowers(2,763)
- objects(23,701)
- furnishings(3,127)
- table(772)
- kitchen(652)
- plate(124)
- religious and ceremonial(1,737)
- throne(32)
- vessels and containers(2,242)
- furnishings(3,127)
- people(35,873)
- actions: postures and motions(9,288)
- children(3,512)
- child(1,364)
- adults(23,442)
- nudes(2,563)
- actions: processes and functions(2,184)
- carrying / holding(878)
- actions: expressive(2,681)
- embracing(434)
- religion and belief(8,394)
- classical myths: gods and heroes(616)
- putto(66)
- classical myths: gods and heroes(616)
You might like
-
Charles Ricketts [no title]
c.1893 -
Charles Ricketts [no title]
c.1893 -
Charles Ricketts Frontispiece to ‘The Dial’
1886 -
Charles Ricketts [no title]
c.1893 -
Charles Ricketts Orpheus and Eurydice
c.1905–7 -
Aubrey Beardsley The Fat Woman
1894 -
Charles Ricketts Mother and Child
c.1905–10 -
Charles Ricketts Don Juan
c.1911 -
Eric Gill Jesus is Condemned to Death
1917 -
Charles Ricketts Italia Redenta
1917 -
George Frederic Watts Mammon
1884–5 -
Aubrey Beardsley Frontispiece to Chopin’s Third Ballade
1895 -
Eric Gill Jesus Meets Veronica
1917 -
Charles Ricketts Costume Design for a Warrior in ‘Montezuma’
c.1925–6 -
Aubrey Beardsley Messalina and her Companion
1895