Bridget Riley

Untitled [Fragment 7/5]


Not on display

Bridget Riley born 1931
Part of
Screenprint on Perspex
Image: 691 × 976 mm
Purchased 1970

Catalogue entry

Bridget Riley b. 1934

P07104-P07110 Fragments 1965

Each print inscribed ‘Riley 65’ b.l.
Screenprints on plexiglass.
P07104 Fragment 1/7: 26½ x 33 (67.3 x 83.8).
P07105 Fragment 2/10: 28 x 27¼ (71.1 x 69.2).
P07106 Fragment 3/11: 24¾ x 31¿ (62.9 x 81).
P07107 Fragment 4/6: 28 x 27 (71.1 x 68.6).
P07108 Fragment 5/8: 24¾ x 32 (62.9 x 81.2).
P07109 Fragment 6/9: 29¼ x 29 (74.3 x73.7).
P07110 Fragment 7/5: 20 x 39 (50.8 x 99).
Purchased from the Rowan Gallery (Gytha Trust) 1970.
Lit: Maurice de Sausmarez, Bridget Riley, 1970, repr. (iv) pl.47, (vi) pl.II.

The title ‘Fragments’ is significant in that most of the prints consist of images which the artist arrived at through making studies for paintings. (She was at this period working almost exclusively in black and white). In selecting perspex as the ground Riley was clearly interested in setting a dense black image upon an intensely white and brilliant surface.

P07110 while not found exactly in any painting, belongs closely to ‘Where’ 1964, although the central core of thin ovals is wider in the painting. The same form of image is also seen in ‘Remember’, ‘Metamorphosis’, ‘Loss’, ‘Hesitate’ and ‘Pause’, all of 1964. The image is horizontal in the paintings except ‘Pause’, where it rises from the base of the picture.

This suite was published by the Robert Fraser Gallery and printed at the Kelpra Studio in an edition of 75.

Published in The Tate Gallery Report 1970–1972, London 1972.


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