Helen Saunders

Abstract Composition in Blue and Yellow

c.1915

© The estate of Helen Saunders

License this image

Not on display
Artist
Helen Saunders 1885–1963
Medium
Graphite, chalk, paper and watercolour on paper
Dimensions
Support: 276 x 171 mm
Collection
Tate
Acquisition
Presented by Miss Ethel M. Saunders in memory of her sister 1963
Reference
T00623

Catalogue entry

T00623 ABSTRACT COMPOSITION IN BLUE AND YELLOW c. 1915

Not inscribed.
Pencil, chalk, wash and collage within irregularly shaped pencil frame, approx. 10 7/8×6 3/4 (27·5×17), on paper, 14 7/8×8 3/8 (37·75×21).
Presented by Ethel M. Saunders in memory of her sister 1963.
Coll: As for T00622.

See T00622.

Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II

Vorticism

Explore

You might like

Helen Saunders, ‘Abstract Multicoloured Design’ c.1915

Helen Saunders Abstract Multicoloured Design

c.1915
T00624
Edward Wadsworth, ‘Abstract Composition’ 1915

Edward Wadsworth Abstract Composition

1915
T00109
Helen Saunders, ‘Monochrome Abstract Composition’ c.1915

Helen Saunders Monochrome Abstract Composition

c.1915
T00622
Wyndham Lewis, ‘Composition’ 1913

Wyndham Lewis Composition

1913
N05886
Wyndham Lewis, ‘Vorticist Composition’ 1915

Wyndham Lewis Vorticist Composition

1915
T00625
Wyndham Lewis, ‘Planners: Happy Day’ 1912–13

Wyndham Lewis Planners: Happy Day

1912–13
T00106
Sonia Delaunay, ‘Prose on the Trans-Siberian Railway and of Little Jehanne of France’ 1913

Sonia Delaunay Prose on the Trans-Siberian Railway and of Little Jehanne of France

1913
P07355
Roger Fry, ‘Essay in Abstract Design’ 1914 or 1915

Roger Fry Essay in Abstract Design

1914 or 1915
T01957
Jessica Dismorr, ‘Abstract Composition’ c.1915

Jessica Dismorr Abstract Composition

c.1915
On display at Tate Modern part of Media Networks T01084
William Roberts, ‘Study for ‘Two Step’’ 1915

William Roberts Study for ‘Two Step’

1915
T01100
David Bomberg, ‘iv’ c.1914–19

David Bomberg iv

c.1914–19
P07011

Bernard Meninsky Sketch of abstract shapes

date not known
TGA 9715/1/148

Paul Nash Black and white negative, abstract composition

date not known
TGA 7050PH/476
David Bomberg, ‘vi’ c.1914–19

David Bomberg vi

c.1914–19
P07013
Ben Nicholson OM, ‘1924 (first abstract painting, Chelsea)’ c.1923–4

Ben Nicholson OM 1924 (first abstract painting, Chelsea)

c.1923–4
On display at Tate St Ives part of Modern Art and St Ives T04861