On loan
Guggenheim Museum (Bilbao, Spain): Women in Abstraction
- Artist
- Helen Saunders 1885–1963
- Medium
- Graphite, chalk, paper and watercolour on paper
- Dimensions
- Support: 276 × 171 mm
frame: 427 × 302 × 18 mm - Collection
- Tate
- Acquisition
- Presented by Miss Ethel M. Saunders in memory of her sister 1963
- Reference
- T00623
Catalogue entry
T00623 ABSTRACT COMPOSITION IN BLUE AND YELLOW c. 1915
Not inscribed.
Pencil, chalk, wash and collage within irregularly shaped pencil frame, approx. 10 7/8×6 3/4 (27·5×17), on paper, 14 7/8×8 3/8 (37·75×21).
Presented by Ethel M. Saunders in memory of her sister 1963.
Coll: As for T00622.
See T00622.
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
Explore
- abstraction(9,852)
-
- non-representational(6,715)
-
- colour(2,496)
- geometric(3,097)
- irregular forms(2,020)
You might like
-
Wyndham Lewis Composition
1913 -
Edward Wadsworth Abstract Composition
1915 -
Helen Saunders Monochrome Abstract Composition
c.1915 -
Helen Saunders Abstract Multicoloured Design
c.1915 -
Wyndham Lewis Vorticist Composition
1915 -
Jessica Dismorr Abstract Composition
c.1915 -
Paul Nash Black and white negative, abstract composition
date not known -
Henri Gaudier-Brzeska Abstract Composition
c.1914 -
Wyndham Lewis Planners: Happy Day
1912–13 -
Roger Fry Essay in Abstract Design
1914 or 1915 -
William Roberts Study for ‘Two Step’
1915 -
Alfred Robert Hayward Composition: Late Evening
1920 -
Piet Mondrian Composition with Yellow, Blue and Red
1937–42 -
David Bomberg iv
c.1914–19 -
Ben Nicholson OM 1924 (first abstract painting, Chelsea)
c.1923–4