In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Chris Shaw born 1967
- Medium
- Photograph, gelatin silver print on paper
- Dimensions
- Image: 404 × 304 mm
- Collection
- Tate
- Acquisition
- Purchased 2013
- Reference
- P80587
Explore
- architecture(30,958)
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- bridges and viaducts(4,123)
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- bridge(3,989)
- public and municipal(2,385)
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- bus stop(28)
- townscapes / man-made features(21,601)
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- pavement(118)
- road(1,228)
- street(1,623)
- streetlight(217)
- formal qualities(12,442)
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- photographic(4,662)
- desolation(135)
- crime and punishment(436)
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- vandalism(9)
- urban environment(303)
- inscriptions(6,671)
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- title of work(308)
You might like
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Chris Shaw Night Porter’s Chair
2007–12 -
Chris Shaw The Jungian Analysis
2007–12 -
Chris Shaw Good Morning in Skodaville
2007–12 -
Chris Shaw I See No Ships but the Plant that Stowed Away
2007–12 -
Chris Shaw You Don’t Have to Go All the Way to the Top
2007–12 -
Chris Shaw The Road to Nowhere is Paved with Good Intentions
2007–12 -
Chris Shaw A Normal Landscape Picture
2007–12 -
Chris Shaw The Point of No Return
2007–12 -
Chris Shaw Crab Claw
2007–12 -
Chris Shaw The Unseen Metaphysical Vomitarium
2007–12 -
Chris Shaw Risen So Majestically from a Single Cell in the Primordial Ooze
2007–12 -
Chris Shaw White Man Oil Tanker X-Ray
2007–12 -
Chris Shaw The Only House Left in Birkenhead North
2007–12 -
Chris Shaw Weeds Tied to the Mast
2007–12 -
Chris Shaw Tangled Barbed Wire Heart
2007–12