In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Chris Shaw born 1967
- Medium
- Photograph, gelatin silver print on paper
- Dimensions
- Image: 404 x 304 mm
- Collection
- Tate
- Acquisition
- Purchased 2013
- Reference
- P80587
Explore
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- bridge(4,151)
- public and municipal(2,455)
- bus stop(28)
- townscapes / man-made features(22,285)
- pavement(118)
- road(1,296)
- street(1,661)
- streetlight(222)
- bridges and viaducts(4,285)
- emotions, concepts and ideas(16,926)
- universal concepts(6,508)
- desolation(136)
- formal qualities(12,946)
- photographic(5,088)
- universal concepts(6,508)
- nature(46,524)
- times of the day(1,968)
- evening(379)
- times of the day(1,968)
- society(35,456)
- crime and punishment(449)
- vandalism(9)
- lifestyle and culture(10,262)
- urban environment(306)
- crime and punishment(449)
- symbols and personifications(7,285)
- inscriptions(6,791)
- title of work(314)
- inscriptions(6,791)
- objects(23,664)
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Chris Shaw Night Porter’s Chair
2007–12
Chris Shaw The Jungian Analysis
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Chris Shaw Good Morning in Skodaville
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Chris Shaw I See No Ships but the Plant that Stowed Away
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Chris Shaw You Don’t Have to Go All the Way to the Top
2007–12
Chris Shaw The Road to Nowhere is Paved with Good Intentions
2007–12
Chris Shaw The Point of No Return
2007–12
Chris Shaw Crab Claw
2007–12
Chris Shaw A Normal Landscape Picture
2007–12
Chris Shaw Risen So Majestically from a Single Cell in the Primordial Ooze
2007–12
Chris Shaw White Man Oil Tanker X-Ray
2007–12
Chris Shaw The Unseen Metaphysical Vomitarium
2007–12
Chris Shaw Tangled Barbed Wire Heart
2007–12
Chris Shaw The Only House Left in Birkenhead North
2007–12
Chris Shaw Weeds Tied to the Mast
2007–12