
Not on display
- Artist
- Sir Matthew Smith 1879–1959
- Medium
- Oil paint on canvas
- Dimensions
- Support: 603 × 730 mm
- Collection
- Tate
- Acquisition
- Purchased 1941
- Reference
- N05266
Catalogue entry
N05266 PEACHES 1937
Inscr. ‘MS’ b.l.
Canvas, 23 3/4×28 3/4 (60×73).
Purchased from Arthur Tooth & Sons (Knapping Fund) 1941.
Exh: Tate Gallery, September–October 1953 (60, repr. in colour pl.16), and Arts Council tour, November 1953–February 1954 (36).
Lit: Michael Rothenstein, Looking at Paintings, 1947, p.40, repr.p.41 (in colour); Rothenstein, 1952, p.243.
Repr:
Eidos, 2, September–October 1950, p.21, pl.2; Rothenstein, 1962, pl.14 (in colour).
In a letter to Michael Rothenstein (loc. cit.) the artist wrote that N05266 ‘was painted premier coup on white canvas, probably in about two hours. No previous studies at a time when things were going well. I was used to the studio I was in.... It was painted in accordance with certain rather indefinable rules that at the time I was truthfully obeying but I do not think it has anything in common with “Bravura” although ... it was painted quickly.’
Published in:
Mary Chamot, Dennis Farr and Martin Butlin, The Modern British Paintings, Drawings and Sculpture, London 1964, II
You might like
-
Sir Matthew Smith Peonies
exhibited 1928 -
Sir Matthew Smith Cyclamen
c.1920 -
Sir Matthew Smith Model Turning
c.1924 -
Sir Matthew Smith Still Life
c.1936 -
Sir Matthew Smith The Young Actress
1943 -
Vanessa Bell Pheasants
1931 -
Sir Matthew Smith Apples
1919–20 -
Sir Matthew Smith Cornish Church
1920 -
Sir Matthew Smith Nude, Fitzroy Street, No. 1
1916 -
Sir Matthew Smith Woman Reclining
c.1925–6 -
Sir Matthew Smith Fruit in a Dish
c.1915 -
Sir Matthew Smith Still Life with Clay Figure, I
1939 -
Sir Matthew Smith Winter in Provence
c.1937 -
Sir Matthew Smith Landscape near Antibes
c.1930–4 -
John Aldridge Head and Fruit
1930