Not on display
- Artist
- Robert Smithson 1938–1973
- Medium
- Slide, 35 mm, 8 slides, projection, colour, 8 photographs, colour, Cibachrome print, on paper and map
- Dimensions
- Overall display dimensions variable
- Collection
- Tate
- Acquisition
- Purchased with funds provided by the American Patrons of the Tate Gallery, courtesy of the Tate American Collectors Forum 2002
- Reference
- T07868
Features
-
Psychosis and the Sublime in American Art: Rothko and Smithson
The Sublime Object
Explore
- emotions, concepts and ideas(16,661)
-
- formal qualities(12,722)
-
- photographic(4,890)
- universal concepts(6,447)
-
- environment / nature(372)
- reflection(715)
- shadow(1,320)
- snow(243)
- furnishings(3,086)
-
- mirror(243)
- map(110)
- countries and continents(17,514)
-
- USA, New York(310)
- Cayuga Lake(1)
You might like
-
Marc Camille Chaimowicz Partial Eclipse...
1980–2006 -
Dennis Oppenheim Directed Seeding - Cancelled Crop
1969 -
Ceal Floyer Light Switch
1992–9 -
Stephen Shore New York, New York, July 1972
1972, printed 2005 -
Rodney Graham Aberdeen
2000 -
David Lamelas Film Script (Manipulation of Meaning)
1972 -
Gustav Metzger Liquid Crystal Environment
1965, remade 2005 -
Santu Mofokeng The Black Photo Album / Look at Me
1997 -
Stephen Shore Queens, New York, April 1972
1972, printed c.2005 -
Anonymous Colour transparency of photo-silkscreen prints of ‘Circus’, in Glasgow School of Art
[c.August–September 1978] -
Anonymous Colour transparency of Ian Breakwell working on photo-silkscreen prints of ‘Circus’, in Glasgow School of Art
[c.August–September 1978] -
Anonymous Colour transparency of photo-silkscreen prints of ‘Circus’, in Glasgow School of Art
[c.August–September 1978] -
Dennis Oppenheim Directed Harvest
1966 -
Anonymous Colour transparency of Ian Breakwell working on photo-silkscreen prints of ‘Circus’, in Glasgow School of Art
[c.August–September 1978] -
Anonymous Colour transparency of photo-silkscreen prints of ‘Circus’, in Glasgow School of Art
[c.August–September 1978]