- Simeon Solomon 1840–1905
- Oil paint on canvas
- Support: 514 x 762 mm
frame: 684 x 940 x 80 mm
- Presented by Miss Margery Abrahams in memory of Dr Bertram L. Abrahams and Jane Abrahams 1973
Simeon Solomon 1840–1905
T01719 The Moon and the Sleep 1894
Inscribed ‘S.S. 1894’ b.r.
Canvas, 20¼ x 30 (51.5 x 76.3).
Presented by Miss Margery Abrahams in memory of Dr Bertram L. Abrahams and Jane Abrahams 1973.
Coll: Purchased from the artist by the donor’s grandmother, Rachel Simmons; thence by descent.
There is no recorded title for this work but the donor remembers it always being known in the family as ‘The Moon and Sleep’, and it seems likely that this is in fact the artist’s title for it. It is clear, however, that the original inspiration must have been the Greek myth of Endymion, a youth who, as he lay in perpetual sleep on Mount Latmus in Caria, so astonished the moon (the Greek goddess Selene) with his beauty that her normally cold heart was moved. She came down to him, kissed him, lay by his side and subsequently had fifty daughters by him. One version of the legend says that it was Selene herself who put Endymion to sleep so that she might kiss him without his knowledge.
At the time he painted T01719 Solomon was leading a hand-to-mouth life in London. Rachel Simmons, his first cousin, was one of those who regularly bought work from him for small sums. According to the donor ‘he used to come to the area door (at 41 Gordon Square)—five shillings seemed to be the standard price’.
Published in The Tate Gallery Report 1972–1974, London 1975.
- emotions, concepts and ideas(15,768)
- religion and belief(8,360)