In Tate Britain
- Artist
- Alfred Stevens 1817–1875
- Medium
- Oil paint on canvas
- Dimensions
- Support: 600 × 476 mm
- Collection
- Tate
- Acquisition
- Purchased 1908
- Reference
- N02212
Display caption
This image of a painter in his studio shows one of the new kinds of artistic identity that emerged during the 19th century. The artist is presented as an urbane young gentleman, a distinctly modern figure. His rather foppish persona contrasts with the workshop-like setting. The portrait presents the artist as a man of fashion, rather than as an artisan or labourer, or even as a sober professional, roles that had dominated the self-portrait tradition in the past.
Gallery label, November 2016
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- interiors(4,628)
-
- workspaces(918)
-
- studio(548)
- fine arts and music(3,769)
-
- easel(81)
- paintbrush(91)
- chair(920)
- stove(25)
- actions: postures and motions(9,097)
-
- sitting(3,323)
- man(10,483)
- individuals: male(1,854)
- arts and entertainment(6,694)
-
- artist, painter(2,230)
You might like
-
Alfred Stevens King Alfred and his Mother
c.1848 -
Sir John Everett Millais, Bt Charles I and his Son in the Studio of Van Dyck
1849 -
Alfred Stevens William Blundell Spence
c.1851 -
Alfred Stevens Samuel Pegler
1832 -
Alfred Stevens The Hon. and Rev. Samuel Best
?1840 -
Sir John Everett Millais, Bt Serjeant Ralph Thomas
1848 -
John Rogers Herbert Sir Thomas More and his Daughter
1844, exhibited 1844 -
Joseph Mallord William Turner The Artist and his Admirers
1827 -
Thomas Phillips Sir David Wilkie, R.A.
1829 -
Alfred Stevens John Morris Moore
c.1840 -
Charles Samuel Keene Self-Portrait
date not known -
Emily Mary Osborn Nameless and Friendless. “The rich man’s wealth is his strong city, etc.” - Proverbs, x, 15
1857 -
Charles Samuel Keene Two Artists Working by Lamplight in a Studio
c.1860 -
Alfred Stevens Miss Emma Pegler
c.1832 -
Alfred Stevens Portrait of a Man
c.1839–40