In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Alfred Stevens 1817–1875
- Medium
- Ink, watercolour and graphite on paper
- Dimensions
- Support: 321 x 470 mm
- Collection
- Tate
- Acquisition
- Purchased 1905
- Reference
- N02047
Explore
- architecture(42,290)
- features(9,152)
- periods and styles(5,414)
- classical(1,079)
- interiors(4,584)
- public and municipal(953)
- lobby(44)
- public and municipal(953)
- objects(23,664)
- fine arts and music(3,771)
- fresco(12)
- fine arts and music(3,771)
- people(35,849)
- emotions, concepts and ideas(16,926)
- formal qualities(12,946)
- perspective(222)
- formal qualities(12,946)
You might like
Alfred Stevens Design for the Top Panel of the Overmantel of the Fireplace for Dorchester House
c.1863–5
Alfred Stevens Design for Roundel of a Door at Dorchester House
c.1864
Alfred Stevens Design for Two-Handled Majolica Vase
1861
Alfred Stevens Design for ‘The Angel Announcing the Birth of Our Lord to the Shepherds’ (N01957)
c.1860
Alfred Stevens Charity. Design for a Roundel
date not known
Alfred Stevens Study of the End of a Room Including a Bust of Raphael and his Fresco ‘Jurisprudence’
?c.1859
Alfred Stevens Study for Amoret Bound in the House of Busirane
?c.1855
Alfred Stevens Studies for the Wellington Monument
date not known
Alfred Stevens Studies of Angels etc. for the Dome of St Paul’s
c.1862–7
Alfred Stevens Study of a Kneeling Boy Bending a Bow, for Dorchester House
c.1860
Alfred Stevens Study for a Seated Woman Gazing at ‘Magog Thrown into the Sea’, for Dorchester House
c.1860
Alfred Stevens Study for ‘Mutability’, Probably for Deysbrook House, Liverpool
?1847
Alfred Stevens Studies of a Man Leaning over a Balustrade; the Head of a Dog Carrying a Stick. Verso: Sketch
date not known
Daniel Maclise The Opera Box, Design for a Wood Engraving: Tracing, from the Principal Figure in Reverse
date not known
British School 19th century, formerly attributed to Joseph Mallord William Turner Westminster Abbey, Henry VII Chapel
date not known