In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Alfred Stevens 1817–1875
- Medium
- Ink, watercolour and graphite on paper
- Dimensions
- Support: 321 × 470 mm
- Collection
- Tate
- Acquisition
- Purchased 1905
- Reference
- N02047
Explore
- architecture(41,337)
- periods and styles(5,198)
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- classical(1,043)
- formal qualities(12,932)
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- perspective(217)
- public and municipal(951)
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- lobby(44)
- fine arts and music(3,744)
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- fresco(12)
You might like
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Alfred Stevens Design for the Top Panel of the Overmantel of the Fireplace for Dorchester House
c.1863–5 -
Alfred Stevens Design for Roundel of a Door at Dorchester House
c.1864 -
Alfred Stevens Design for Two-Handled Majolica Vase
1861 -
Alfred Stevens Design for ‘The Angel Announcing the Birth of Our Lord to the Shepherds’ (N01957)
c.1860 -
Alfred Stevens Charity. Design for a Roundel
date not known -
Alfred Stevens Study of the End of a Room Including a Bust of Raphael and his Fresco ‘Jurisprudence’
?c.1859 -
Alfred Stevens Study for Amoret Bound in the House of Busirane
?c.1855 -
Alfred Stevens Studies of Angels etc. for the Dome of St Paul’s
c.1862–7 -
Alfred Stevens Studies for the Wellington Monument
date not known -
Alfred Stevens Study for a Seated Woman Gazing at ‘Magog Thrown into the Sea’, for Dorchester House
c.1860 -
Alfred Stevens Study of a Kneeling Boy Bending a Bow, for Dorchester House
c.1860 -
Alfred Stevens Studies of a Man Leaning over a Balustrade; the Head of a Dog Carrying a Stick. Verso: Sketch
date not known -
Daniel Maclise The Opera Box, Design for a Wood Engraving: Tracing, from the Principal Figure in Reverse
date not known -
Alfred Stevens Study for ‘Mutability’, Probably for Deysbrook House, Liverpool
?1847 -
John Scarlett Davis The Church of St Michael, Munich; the Interior
date not known