A Classical Harbour

1805

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In Tate Britain

Prints and Drawings Room

View by appointment

Artist: Joseph Mallord William Turner 1775–1851
Part of: Studies for Pictures: Isleworth Sketchbook
Medium: Pen and ink on paper
Dimensions: Support: 150 x 258 mm
Collection: Tate
Acquisition: Accepted by the nation as part of the Turner Bequest 1856
Reference: D05570
Turner Bequest XC 50 a

Display caption

In the mid-1820s Turner worked on a set of twelve mezzotint plates, known as the Little Liber, or So-called Sequels to the Liber Studiorum. Relatively little is known about the circumstances surrounding the creation of the images, which all explore the dramatic effects of natural light.

At least half of subjects are concerned with direct observation of the sea. The watercolour studies on which the prints were based are unusually freely executed and unresolved. When painting for translation into black and white prints Turner usually provided a greater level of detail to guide the engravers.

Gallery label, April 2005

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Catalogue entry

See note to folio 1 of the sketchbook (D05491) for its various composition studies of an ancient seaport with figures arriving or departing. This version has some similarities to the coloured study on folio 49 verso (D05568), and Finberg thought that both and especially the present one showed similarities to Dido Building Carthage (National Gallery, London),1 but this was probably not foreseen by Turner. Here, the arch seen in folio 49 verso is replaced by a round building.

David Blayney Brown
August 2007

Martin Butlin and Evelyn Joll, The Paintings of J.M.W. Turner, revised ed., New Haven and London 1984, pp.94–6 no.131 (pl.133).

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