The drawing continues on folio 44 recto opposite (D04987; Turner Bequest LXXXI 85). As Turner’s annotation tells us, this is a study for Fishermen upon a Lee–Shore, in Squally Weather (Southampton Art Gallery),1 which was acquired from the artist by Samuel Dobree, probably at or immediately after its showing at the Royal Academy exhibition of 1802. It gives the central episode very much as it appears in the finished painting, and with great dramatic force.
Other studies related to the picture are on folios 49 verso–50 recto and 51 verso–52 recto (D04998–D04999, D05002–D05003; Turner Bequest LXXXI 96–97, 100–101), and in the Chester sketchbook (Tate D05155–D05157; Turner Bequest LXXXII 75a, 76, 76a). See also drawings in the On a Lee Shore (1) and (2) sketchbooks (Tate D03978, D03990–D03991; Turner Bequest LXVII 5, LXVIII 5a–6).
Butlin and Joll 1984, pp.15–16 no.16, pl.12 (colour).
There is heavy offsetting from folio 44 recto opposite (D04987; Turner Bequest LXXXI 85).