The drawings here were made with the page turned horizontally both ways. At the left is an isolated study of a woman with what appear to be pots or other small items, perhaps at an inn or market; compare the annotated group of figures on the verso (D32320). At the outer edge, framed by pencil lines, are two small landscape studies; the one beside the woman shows trees above a rocky hillside or cliff. The second is the other way up, and features towers in a mountainous setting, as does the largest of the sketches here, also aligned with the gutter at the top, with a church spire, a castle on a crag further off, and two women in the foreground.
A long sequence of sketches, mostly characterised as ‘Mountains’ by Finberg (with occasional identifications and transcriptions of the place names marked by the artist), lies between folios 7 recto and 76 recto (D32275–D32411).1 See the sketchbook’s Introduction for the likely overall route between Bregenz and Venice.2