In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 128 × 114 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04306
Turner Bequest LXXII 27 a
Catalogue entry
Explore
- objects(23,376)
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Joseph Mallord William Turner Commentary on Titian’s ‘St Peter Martyr’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘St Peter Martyr’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Woman with a Mirror’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Christ Crowned with Thorns’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Christ Crowned with Thorns’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Titian’s ‘Entombment of the Dead Christ’ (Inscription by Turner), with Colour Trials
1802 -
Joseph Mallord William Turner Commentary on Correggio’s ‘St Jerome’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Guercino’s ‘Raising of Lazarus’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Correggio’s ‘St Jerome’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner Commentary on Giorgione/Titian’s ‘Concert-champêtre’ (Inscription by Turner)
1802