In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Part of
- Perspective Sketchbook
- Medium
- Pen and ink on paper
- Dimensions
- Support: 88 × 115 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D07362
Turner Bequest CVIII 4 a
Catalogue entry
You might like
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Joseph Mallord William Turner Perspective Diagrams, after Salomon de Caus
c.1809 -
Joseph Mallord William Turner Diagrams: A Method of Putting a Cube in Perspective, after Salomon de Caus; with Bibliographical Notes on Perspective Sources
c.1809 -
Joseph Mallord William Turner Diagram Relating to Placing a Square in Perspective, after Viator (Jean Pélerin)
c.1809 -
Joseph Mallord William Turner Diagram of a Perspective Method for a Cube, after Guidobaldo del Monte
c.1809 -
Joseph Mallord William Turner Diagram of a Perspective Method for a Circle, after Guidobaldo del Monte
c.1809 -
Joseph Mallord William Turner Diagram of a Quadrilateral Plane in Perspective, Probably after Giulio Troili
c.1809 -
Joseph Mallord William Turner Diagram of a Perspective Method for a Cube, after Pietro Accolti
c.1809 -
Joseph Mallord William Turner Diagram of a Perspective Method for a Cube, after Pietro Accolti
c.1809 -
Joseph Mallord William Turner Inscription by Turner: Notes on Painting in Relation to Poetry; with a Diagram of a Cube in Perspective, after Daniele Barbaro
c.1809 -
Joseph Mallord William Turner Diagram of a Cube in Perspective, after Giulio Troili
c.1809 -
Joseph Mallord William Turner Diagram of a Cube in Perspective, after Salomon de Caus
c.1809 -
Joseph Mallord William Turner Diagram of an Irregular Figure in Plan and Perspective, after Aleaume and Migon
c.1809 -
Joseph Mallord William Turner Diagram of an Open Cube in Perspective, after Heinrich Lautensack
c.1809 -
Joseph Mallord William Turner Diagrams of a Cube in Perspective and a Pantograph, from an Unidentified Source
c.1809 -
Joseph Mallord William Turner Perspective Diagrams, after Pietro Accolti
c.1809
