Joseph Mallord William Turner

Dieppe Harbour

c.1826

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

License this image

In Tate Britain

Prints and Drawings Room

View by appointment

Artist: Joseph Mallord William Turner 1775–1851
Part of: Loose Studies of Northern France
Medium: Graphite and watercolour on paper
Dimensions: Support: 168 × 241 mm
Collection: Tate
Acquisition: Accepted by the nation as part of the Turner Bequest 1856
Reference: D20208
Turner Bequest CCXX B

Catalogue entry

This quay-side sketch is one of several comparable works first documented by John Ruskin as a view of Dieppe harbour. As A.J. Finberg noted in his 1909 inventory of the Turner Bequest, Ruskin grouped this work together with twenty other ‘slight coloured sketches, chiefly from Dieppe’.¹ A note which was once appended to this parcel of works reveals that Ruskin held them in low regard, judging that they had been executed ‘in some careless or sickly state of mind’.² More recently, the sheet has been identified as a preparatory work towards one of several abortive attempts to put the material gathered on the 1826 tour of Northern France to use.3

A.J. Finberg, A Complete Inventory of the Drawings of the Turner Bequest, London 1909, vol.II, p.685.

Ibid.

Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, p.28; David Blayney Brown, Sarah Skinner and Ian Warrell, Coasting: Turner and Bonington on the Shores of the Channel, exhibition catalogue, Nottingham Castle 2008, p.59.

Verso:

Inscribed in pencil with the note ‘1 b’ at the centre of the page and twice with ‘D20208’ at the centre of the bottom edge.

John Chu
March 2016

Read full Catalogue entry