A more elaborate pencil drawing of this subject is in the Ashmolean Museum, Oxford,1 which Luke Herrmann considers to belong to the Tweed and Lakes sketchbook of 1797 (Tate; Turner Bequest XXXV), and its dimensions (366 x 263 mm) accord fairly closely with that book.2 Turner made many drawings at Durham on his 1797 tour; however, the Ashmolean drawing and this one of 1801 correspond almost exactly in every detail, suggesting that the former is derived from the latter, and dates from about the same time.
Finberg thought that the Ashmolean sheet was a page from the Smaller Fonthill sketchbook (Tate; Turner Bequest XLVIII),3 which Turner also took with him to Scotland in 1801 and which was broken up and largely dispersed; it is consequently listed as no.20 in the checklist of drawings in other collections in that sketchbook’s Introduction (see the ‘Architectural and Other Subjects c.1797–1807’ section of this catalogue). But if the Ashmolean leaf was cut down from the dimensions of the Smaller Fonthill book (approximately 265 x 415 mm) it is surprising that its image exactly conforms to the present subject.
Luke Herrmann, Ruskin and Turner: A Study of Ruskin as a Collector of Turner, Based on his Gifts to the University of Oxford; Incorporating a Catalogue Raisonné of the Turner Drawings in the Ashmolean Museum, London 1968, p.89 no.65, pl.IV, as 1797; see also Finberg 1909, I, p.123.
See also Herrmann and Harrison 2000, p.22.
See Finberg 1909, I, p.134.
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