In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 87 × 119 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D13753
Turner Bequest CLXIX 2
Catalogue entry
Explore
- nature(45,207)
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- animals: mammals(4,857)
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- dog - non-specific(1,043)
- group(4,250)
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Joseph Mallord William Turner Groups of Figures, Possibly Related to Benjamin Robert Haydon’s ‘Raising of Lazarus’
c.1823–4 -
Joseph Mallord William Turner Study of Women and Children: Related to ‘View of Richmond Hill and Bridge’
c.1805–8 -
Joseph Mallord William Turner Figures and Horses: Related to ‘Men with Horses Crossing a River’
1805 -
Joseph Mallord William Turner Study for a Sea-Piece, Related to ‘Entrance of the Meuse...’
1818 -
Joseph Mallord William Turner Studies for Figures in ‘Dido and Aeneas’; and of a Horse, Related to ‘The Destruction of Sodom’
1805 -
Joseph Mallord William Turner Figures
1828 -
Joseph Mallord William Turner Figures on Richmond Hill
?1831 -
Joseph Mallord William Turner Flags
c.1817–18 -
Joseph Mallord William Turner Figures
1817 -
Joseph Mallord William Turner Figures
1828 -
Joseph Mallord William Turner Figures
1817 -
Joseph Mallord William Turner Design for a Sea-Piece, Related to ‘Entrance of the Meuse’
1818 -
Joseph Mallord William Turner Dancing and Kneeling or Seated Nymphs, Related to ‘Apullia in Search of Appullus’
c.1813 -
Joseph Mallord William Turner Figures
c.1832 -
Joseph Mallord William Turner Group of Figures ?at Eu
1824