This is one of a batch of ink sketches of Calais on blue paper which can be dated on stylistic grounds to the later 1820s. The Tour de Guet and the tower of Notre-Dame de Calais rise above the surrounding buildings. The exact occasion of these studies is unknown although Turner specialist Ian Warrell has suggested a link to the return leg of the artist’s tour of Northern France in the autumn of 1826. 1 See the Introduction to this section for a list of these works.
Ian Warrell, Turner on the Seine, exhibition catalogue, Tate Gallery, London 1999, pp. 32, 253 note 86, 254 note 99.
Inscribed in pencil with the notes ‘46 b’ and ‘CCLX 46’. Stamped in black with the Turner Bequest monogram and ‘CCLX – 46’.
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