Catalogue entry
The doodles here include a grid of squares, various clusters of dots, and a capital ‘N’ shown in regular and italic forms. There is a slight but no doubt fortuitous echo of Turner’s Royal Academy perspective lecture diagrams dealing with a picture in anamorphic perspective (Tate
D17106–D17107; Turner Bequest CXCV 135, 136).
Compare the various random letters in Tate
D34584 (Turner Bequest CCCXLIV 191). Although not Margate subjects
per se, both sheets are included here on technical grounds; see the notes below. See under Tate
D34337 (Turner Bequest CCCXLIII 36a) for closely related works in this Margate subsection and elsewhere.
The partial watermark ‘
mlett’ likely indicates the Devon papermaker Edward Norish Tremlett, operating at various mills around Exeter between 1831 and 1856, in partnership with Dewdney between 1831 and 1833, and Charles Harris between 1833 and 1851.
1This and Tate
D34494 and
D34495 (Turner Bequest CCCXLIV 133, 134) are on tall, narrow halves of folded sheets (with notches at the head and foot of the fold) similar to several other once-folded bifolio sheets in this subsection and elsewhere, as discussed under Tate
D34337 (Turner Bequest CCCXLIII 36a). The horizontal dimension of the half actually drawn on is 77 mm.
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