This sequence of at least four sketches record the comings and goings of boats and figures at work and leisure by the sea, perhaps on the Great Beach at Margate. See under the recto (Tate D34337; Turner Bequest CCCXLIII 36a) for closely related works in this Margate subsection and elsewhere.
The partial watermark ‘mlett’ likely indicates the Devon papermaker Edward Norish Tremlett, operating at various mills around Exeter between 1831 and 1856, in partnership with Dewdney between 1831 and 1833, and Charles Harris between 1833 and 1851.1
Finberg somewhat misleadingly described Tate D34337–D34341 (Turner Bequest CCCXLIII 36a–e) as ‘Five sheets from a sketch book ... on blue paper’.2 In fact they are on two matching bifolio unstitched sheets of white paper, presumably once folded within one another, with notches at the head and foot of the fold. D34341 (e) and D34337 (a) are on the left and right of one face (with the horizontal dimension given above encompassing them both), with the present work on the back of (a); D34339 (c) is on the right-hand side of one face of the second sheet, the left-hand side having been largely torn away, with D34340 (d) on its verso.
See ‘Exeter Working Papers in British Book Trade History; 7: The Devon paper trades: a biographical dictionary: Exeter’, Exeter Working Papers in Book History, accessed 4 May 2016, http://bookhistory
.blogspot. .co .uk /2014 /07 /devon -paper -trades -exeter .html
Finberg 1909, II, p.1108.