With fine, deliberate handling Turner has made a fairly detailed rendering of Huy from an easterly viewpoint in the surrounding hillsides. The Church of Notre-Dame, proportionally exaggerated by Turner, rises loftily above the city. Behind is the citadel crowning the rocky heights.
For other views of Huy in this sketchbook see Tate D28043, D28048, D28053, D28057, D28067, D28096, D28131–D28137, D28139–D28143, D28147; Turner Bequest CCLXXXVII 1a, 4, 6a, 8a, 13a, 28a, 47a–50a, 51a–53a, 56a. There are also a number of colour sketches in gouache with watercolour and pen and ink produced on blue paper dated around 1839 (Tate D20221, D20222, D20226, D20268, D20288; Turner Bequest CCXX N, O, S; CCXXII I, CCXXIII C).
For earlier views of Huy see the 1824 Huy and Dinant sketchbook (Tate D20087–D20093, D20109–D20110; Turner Bequest CCXVII 2a–6a, 16–7); the Rivers Meuse and Moselle sketchbook of the same date (Tate D19622–D19635; Turner Bequest CCXVI 36–43) and the Brussels up to Mannheim sketchbook of 1833 (Tate D29653, D29656–D29659, D29661–D29662, D29768, D29771; Turner Bequest 29, 30a–32, 33–33a, 90, 91a).