
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Gouache, pen and ink and watercolour on paper
- Dimensions
- Support: 136 × 184 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D20221
Turner Bequest CCXX N
Display caption
The five sketchbooks from this German tour that Turner filled with pencil drawings are evidence of extremely hard work: day after day spent tramping up and down hills in search of good viewpoints and interesting subjects. This watercolour, looking down on to Huy, shows Turner developing one or more of these
sketches drawn from vantage points
found in this way.
Bodycolour (or gouache, its French name, from the Italian aguazzo – meaning mud) functions a bit like oil paint. Here Turner mixes increasing amounts of white into the pigment to achieve the lighter tones, with pure white for the highest lights.
Gallery label, September 2004
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Joseph Mallord William Turner Huy from the South-East: Bird’s-Eye View
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Joseph Mallord William Turner Huy from the West: Bird’s-Eye View
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Joseph Mallord William Turner Notre-Dame, Huy
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Joseph Mallord William Turner Huy from the West
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Joseph Mallord William Turner Huy
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Joseph Mallord William Turner Huy, Looking Upstream
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Joseph Mallord William Turner Cliffs on the Meuse near Huy; Huy, Looking Upstream
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Joseph Mallord William Turner Huy: Notre Dame, the Citadel and Bridge over the Meuse from the Quai des Récollets
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Joseph Mallord William Turner Huy from the Outskirts with Waterwheels and Watermills
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Joseph Mallord William Turner Huy from the Hillside to the South-East
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Joseph Mallord William Turner Distant View of Huy, Looking Upstream from the Liège Road; Distant View of Huy, from the Road to La Sarte
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Joseph Mallord William Turner The Confluence at Namur: Moonlight
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