Joseph Mallord William Turner

Kesten and Monzel on the Moselle

1839

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Medium
Graphite on paper
Dimensions
Support: 163 × 100 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D28421
Turner Bequest CCXC 36

Catalogue entry

At the upper register Turner has made a swift sketch of Kesten on the Moselle, inscribing above it what appears to read ‘Kesen’. The church there is shown in three small jottings around the inscription. The following sketches are orientated inversely and show Kesten with a pontoon bridge of boats. The inscription beneath one of these sketches is of particular interest: Turner has written ‘Napoleon passed here’, which, as Powell writes:
enables his scene to be linked with Napoleon’s journey to the Rhineland in September and October 1804, on a tour which took him from Cologne to Coblenz to Mainz on the new route Napoléon, and then on to Mannheim and further afield. The earliest stage of his tour had included visits to Brussels and Aachem (ostensibly as a pilgrimage to Charlemagne’s tomb, but really as a prelude to his own coronation as Emperor at the end of 1804). On its final lap he returned home through Trier and Luxembourg.1
Of this particular scene, Powell points out that ‘Turner would not, of course, have seen the temporary bridge of pontoons used by Napoleon: those shown in his 1839 sketch existed only in his imagination’.2 A gouache and watercolour drawing on blue paper was made after this sketch in late 1839 (Tate D20277; Turner Bequest CCXXII R).

Alice Rylance-Watson
July 2013

1
Powell 1991, p.133 no.51.
2
Ibid.

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