Not on display
Finberg’s comment that ‘the artist has here drawn with his head rather than his eye, that he puts down not so much what he sees as what he understands’2 is perhaps unnecessarily critical of a working drawing whose purpose is evidently simply to record essential facts about a complex structure of which he made other drawings: see Tate D00343 and D00344 (Turner Bequest XXI P, Q).
Blank; stamped in brown ink with Turner Bequest monogram; inscribed in a later hand ‘5’.
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