Not on display
- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Gouache, graphite and watercolour on paper
- Dimensions
- Support: 214 × 298 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27663
Turner Bequest CCLXXX 146
Catalogue entry
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Joseph Mallord William Turner Vignette Study for Staffage of ‘Hohenlinden’, for Campbell’s ‘Poetical Works’
c.1835–36 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Perugia, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Aosta, for Rogers’s ‘Italy’
c.1826 -
Joseph Mallord William Turner Hannibal Passing the Alps, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Lake of Geneva, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Hospice. Great St Bernard with the Lake (I), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Florence, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner The Forum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Banditti, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Tivoli, for Rogers’s ‘Italy’
c.1826–7 -
After Joseph Mallord William Turner, engraver Edward Goodall Marengo
1830
