St Michael’s Mount is seen in outline at the centre, looking south-east from near Gulval, to the north-east of Penzance. There are similar views on folios 8 recto (D41283) and 11 recto (D41286), and views from nearer the Mount on folios 7 recto (D41282), under which other views of the bay are discussed, and 13 recto (D41288).
As discussed in the introduction, the pages of this ‘sketchbook’ appear to have originally been loose sheets, and are not recorded in Finberg’s 1909 Inventory of the Bequest, although he subsequently noted the subject as ‘View on coast with St. Michls Mt. in distance’ in a manuscript listing,1 while C.F. Bell similarly described it in his own notes as ‘Mounts Bay and St Michael’s Mount’.2 Figures usually corresponding to Finberg’s MS catalogue page numbers, which differ from Bell’s sequence, are inscribed on the verso of most sheets.
A.J. Finberg, MS addenda, [circa 1928–39], tipped into a copy of his A Complete Inventory of the Drawings of the Turner Bequest, London 1909, Tate Britain Prints and Drawings Room, vol.I, opposite p.356, as CXXV(a) 40.
C.F. Bell, MS addenda, [after 1928], tipped into a copy of Finberg 1909, Tate Britain Prints and Drawings Room, vol.I, p.356A, as CXXVa 12.
The sheet is slightly wrinkled, possibly as a result of exposure to damp.
Blank, save for inscriptions: inscribed by C.F. Bell in pencil ‘Mounts Bay from the West’ bottom left; inscribed by Edwin Fagg in pencil ‘140 | 40’ bottom right. There are glue stains at the corners of the sheet.