In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Pen and ink on paper
- Dimensions
- Support: 204 x 318 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D40278
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- hall(48)
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- people(35,852)
- adults(23,437)
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- group(4,528)
- nudes(2,563)
- female(1,670)
- actions: processes and functions(2,184)
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- emotions, concepts and ideas(16,929)
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- perspective(222)
- space(186)
- formal qualities(12,949)
You might like
Joseph Mallord William Turner Studies for Figures in ‘Dido and Aeneas’; and of a Horse, Related to ‘The Destruction of Sodom’
1805
Joseph Mallord William Turner ?Study for ‘The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides’
1805
Joseph Mallord William Turner Tracing of a Perspective Construction of a House
c.1810
Joseph Mallord William Turner Perspective Study of a House
c.1810
Joseph Mallord William Turner Perspective Diagram, from an Unidentified Source
c.1809
Joseph Mallord William Turner Tracing of a Perspective Construction of Pulteney Bridge, Bath
c.1810
Joseph Mallord William Turner Diagram of a Perspective Method for a Cube, after Pietro Accolti
c.1809
Joseph Mallord William Turner Diagram of a Cube in Perspective, after Giulio Troili
c.1809
Joseph Mallord William Turner Perspective Study of a Doric Entablature
c.1810
Joseph Mallord William Turner Perspective Diagrams, after Pietro Accolti
c.1809
Joseph Mallord William Turner Study for ‘The Deluge’
date not known
Joseph Mallord William Turner Perspective Study of a Tuscan Column
c.1810
Joseph Mallord William Turner Perspective Study of a Cross on a Cube
c.1810
Joseph Mallord William Turner Perspective Study of Pulteney Bridge, Bath
c.1810
Joseph Mallord William Turner Calais Harbour
c.1826–30