In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Pen and ink on paper
- Dimensions
- Support: 204 x 318 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D40278
Explore
- interiors(4,587)
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- public and municipal(954)
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- hall(48)
- group(4,528)
- female(1,670)
- looking / watching(588)
- formal qualities(12,946)
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- perspective(222)
- space(186)
You might like
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Joseph Mallord William Turner Studies for Figures in ‘Dido and Aeneas’; and of a Horse, Related to ‘The Destruction of Sodom’
1805 -
Joseph Mallord William Turner Perspective Study of a House
c.1810 -
Joseph Mallord William Turner ?Study for ‘The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides’
1805 -
Joseph Mallord William Turner Perspective Study of a Tuscan Column
c.1810 -
Joseph Mallord William Turner Perspective Study of a Cross on a Cube
c.1810 -
Joseph Mallord William Turner Perspective Diagrams, after Pietro Accolti
c.1809 -
Joseph Mallord William Turner Perspective Diagram, from an Unidentified Source
c.1809 -
Joseph Mallord William Turner Tracing of a Perspective Construction of a House
c.1810 -
Joseph Mallord William Turner Lecture Diagram 41: Perspective Construction of a Tuscan Column
c.1810 -
Joseph Mallord William Turner Perspective Study of Pulteney Bridge, Bath
c.1810 -
Joseph Mallord William Turner Perspective Study of a Corinthian Entablature
c.1810 -
Joseph Mallord William Turner Diagram of a Perspective Method for a Cube, after Pietro Accolti
c.1809 -
Joseph Mallord William Turner Study for ‘The Deluge’
date not known -
Joseph Mallord William Turner Figure Studies Related to ‘The Goddess of Discord Choosing the Apple of Contention in the Garden of the Hesperides’
1805 -
Joseph Mallord William Turner ?A Council Meeting of the Artists’ Benevolent Society
c.1802–10