after Joseph Mallord William Turner

Rochester, Stroud and Chatham, Medway, Kent

1838

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

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In Tate Britain

Prints and Drawings Room

View by appointment
Artist
After Joseph Mallord William Turner 1775–1851
Part of
Picturesque Views in England and Wales
Medium
Line engraving on paper
Dimensions
Image: 162 x 242 mm
Collection
Tate
Acquisition
Purchased 1988
Reference
T05104

Catalogue entry

[from] Picturesque Views in England and Wales pub.1827–38 [T04503-T04612; T05081-T05104; T05873; complete]

Twenty-four line-engravings, by various engravers and in various states, comprising twenty-four subjects out of a total of ninety-six (see also T04503-T04612 above); various papers and sizes; some annotated in pencil with initials of unidentified collector ‘FHB’
Purchased (Grant-in-Aid) 1988
Prov: ...; N.W. Lott and H.J. Gerrish Ltd, from whom bt by Tate Gallery (earlier provenance given in individual entries where known)
Lit: As for T04503-T04612

For the publishing history of this series, see under T04503-T04612.


T05104 Rochester, Stroud and Chatham, Medway engr. J.C. Varrall, pub.1838

Line-engraving 162 × 242 (6 3/8 × 9 9/16) on India paper laid on wove paper 435 × 601 (17 1/8 × 23 5/8); plate-mark 243 × 320 (9 9/16 × 12 5/8); Turner studio blind stamp
Prov: As for T05083
Lit: Rawlinson I 1908, no.301, first published state; Shanes 1979, no.95, repr. (British Museum impression)

Published in part XXIV, no.1. Original watercolour: destroyed by fire, 1955 (Shanes 1979, no.95; Wilton 1979, no.877).

Published in:
Tate Gallery: Illustrated Catalogue of Acquisitions 1986-88, London 1996

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