In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Gouache and watercolour on paper
- Dimensions
- Support: 193 x 280 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D36163
Turner Bequest CCCLXIV 306
Display caption
The modern concept of abstraction would not have been understood or endorsed in the nineteenth century, even by an artist as experimental as Turner. He would not have intended these late, loose colour beginnings to have been exhibited during his lifetime.
Nevertheless, in each of these works the elements of the composition are reduced to the barest representation of sea and sky. These private, informal studies reveal Turner’s intuitive ability to think of landscape in terms of pure colour.
Gallery label, July 2008
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Catalogue entry
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Joseph Mallord William Turner Sea and Sky
c.1820–30 -
Joseph Mallord William Turner Sea and Sky
c.1820–30 -
Joseph Mallord William Turner Sea and Sky
c.1835 -
Joseph Mallord William Turner Sea and Sky, ?English Coast
c.1832 -
Joseph Mallord William Turner Sea and Sky
c.1825–30 -
Joseph Mallord William Turner Sea and Sky
c.1820–30 -
Joseph Mallord William Turner Heaped Thundercloud over Sea and Sand (‘Heaped Thundercloud over Sea and Land’)
c.1835–40 -
Joseph Mallord William Turner Sea and Sky
c.1820–30 -
Joseph Mallord William Turner Study of Sea: Stormy Sky
?1830s -
Joseph Mallord William Turner Sea Breaking on a Pier: Stormy Sky
c.1823–5 -
Joseph Mallord William Turner Sea and Sky?, English Coast
c.1830–45 -
Joseph Mallord William Turner Stormy Sea
c.1830 -
Joseph Mallord William Turner Sea and Sky
c.1845 -
Joseph Mallord William Turner Study of Sea and Sky
c.1823–6 -
Joseph Mallord William Turner Sea and Sky
after 1825