In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 168 × 239 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27625
Turner Bequest CCLXXX 108
Catalogue entry
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Joseph Mallord William Turner Venice (The Rialto - Moonlight), for Rogers’s ‘Poems’
c.1830–2 -
After Joseph Mallord William Turner Venice, engraved by W. Miller
published 1834 -
Joseph Mallord William Turner Tornaro, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Moonlight on the Lagoon near Venice
1840 -
Joseph Mallord William Turner Study for ‘The Landing of Columbus’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Landing of Columbus, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Leaving Home, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Vision’, Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Grand Canal, Venice, with the Rialto Bridge to the East and the Campanile of San Bartolomeo Beyond
1840 -
Joseph Mallord William Turner Boats on the Grand Canal, Venice, with the Rialto Bridge in the Distance
1819 -
Joseph Mallord William Turner The Rialto Bridge on the Grand Canal, Venice, with the Fondaco dei Tedeschi Beyond
1819 -
Joseph Mallord William Turner Evening (Datur Hora Quieti), for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner Study for ‘The Vision’, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner St. Herbert’s Chapel, for Rogers’s ‘Poems’
c.1830–2 -
Joseph Mallord William Turner The Gipsy, for Rogers’s ‘Poems’
c.1830–2