In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite and watercolour on paper
- Dimensions
- Support: 168 × 238 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D27621
Turner Bequest CCLXXX 104
Catalogue entry
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Joseph Mallord William Turner The Forum, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘The Forum’, Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Florence, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Perugia, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Hannibal Passing the Alps, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Campagna of Rome, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Tivoli, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Martigny, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Part of a View of the Waterfront of Santa Lucia, Naples, with the Castel dell’Ovo; and a Funeral Procession
1819 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Lake of Como (I), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Venice, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner A Villa (Villa Madama - Moonlight), for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Study for ‘Hannibal Passing the Alps’, for Rogers’s ‘Italy’
c.1826–7 -
Joseph Mallord William Turner Vignette Study of Market and Piazza, ?Verona, ?for Rogers’s ‘Italy’
c.1826–7