Joseph Mallord William Turner

The Mildmay Sea Piece, engraved by Wiliam Annis and J.C. Easling

1812

Image released under Creative Commons CC-BY-NC-ND (3.0 Unported)

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In Tate Britain

Prints and Drawings Room

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Artist
Joseph Mallord William Turner 1775–1851
Part of
Etchings and Engravings for the ‘Liber Studiorum’
Medium
Etching and mezzotint on paper
Dimensions
Image: 181 × 264 mm
Collection
Tate
Acquisition
Presented by A. Acland Allen through the Art Fund 1925
Reference
A00991

Display caption

Between 1806 and 1819 Turner was working on a set of images for a publication known as the Liber Studiorum (Book of Studies). The series, based on Claude Lorrain’s famous Liber Veritatis (Book of Truth), consisted of seventy-one prints in brown ink, after watercolours by Turner. Shown here are three of the watercolours, and one of the prints from the project.

Turner’s intention was to promote landscape art in its various manifestations and he devoted an entire category to ‘Marine Landscape’. Some of the seascapes were entirely new designs; others were based on existing compositions.

Gallery label, April 2005

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