Joseph Mallord William Turner

One of the most important and spectacular events of the royal visit to Scotland took place on 22 August 1822: the procession to the castle with the Regalia of Scotland. The processing of the crown, sceptre and sword by their three respective bearers was the third ceremony with the Regalia devised by Sir Walter Scott.1 The first ceremony in which the Regalia were removed from the castle, took place on 12 August, before the King’s arrival, and Turner may have sketched the second event on folio 36 (Tate D17563).

The carriage is shown again on the present page, which depicts the arrival of the king at the gates to the castle, and is the first of a series of sketches made from the Half Moon Battery and the parapet of the King’s Lodgings of Edinburgh Castle connected to the procession. It is drawn with the sketchbook inverted. Other sketches show the assembled spectators and troops (folios 38 verso, 54 verso–55, 56, 56 verso–57 and 57 verso; D17569, D17600–D17601, D17603 and D17604–D17605, D17606). Further sketches from this spot show parts of the castle in connection to this event (folios 41 verso–42 and 43, 42 verso and 55 verso; Tate D17575–D17576 and D17578, D17577, D17602). Finally Turner took advantage of the unique vantage point at the top of Edinburgh Castle to make several views of the city (folios 59 verso–60 and 60 verso–61; Tate D17610–D17611, D17612–D17613).

The present sketch, drawn with the book inverted, was made from what Gerald Finley refers to as the ‘King’s Lodgings’, an east-facing apartment in the royal palace of Edinburgh Castle, and looks down over the Half Moon Battery at the bottom left of the page to the Castle Gate and Esplanade beyond. Finley identified this sketch as showing ‘the moment when the King alights from his carriage with a crimson cloth at the barrier gate, where the Lord High Constable and Lord Cathcart were stationed to receive him.’ Indeed the coach, also depicted on folio 35 verso (D17563), can be seen in the centre of the picture drawn up alongside the gate. In front of the coach is a square which must be the red carpeted platform on which the king alighted flanked by guards. The gate is not the grand gatehouse of today (erected in 1886–8) but a simpler functional structure visible in James Skene’s watercolour, King George IV at Edinburgh Castle, circa 1822 (Edinburgh City Libraries), before the stone archway.