
In Tate Britain
Prints and Drawings Room
View by appointment- Artist
- Joseph Mallord William Turner 1775–1851
- Medium
- Graphite on paper
- Dimensions
- Support: 128 × 114 mm
- Collection
- Tate
- Acquisition
- Accepted by the nation as part of the Turner Bequest 1856
- Reference
- D04342
Turner Bequest LXXII 53
Catalogue entry
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-
Joseph Mallord William Turner St John the Baptist Preaching, after Pier Francesco Mola
1802 -
Joseph Mallord William Turner The Entombment of the Dead Christ, after Titian
1802 -
Joseph Mallord William Turner The Virgin and Child, after Guercino
1802 -
Joseph Mallord William Turner Christ Crowned with Thorns, after Titian
1802 -
Joseph Mallord William Turner Commentary on Guercino’s ‘Raising of Lazarus’ (Inscription by Turner)
1802 -
Joseph Mallord William Turner St Roch Interceding for Victims of the Plague, after Peter Paul Rubens
1802 -
Joseph Mallord William Turner The Good Samaritan, after a Rembrandt Follower
1802 -
Joseph Mallord William Turner The Adoration of the Infant Jesus, after Lorenzo Lotto
1802 -
Joseph Mallord William Turner St Jerome, after Correggio, and Colour Trials
1802 -
Joseph Mallord William Turner Hercules and Cacus, after Domenichino
1802 -
Joseph Mallord William Turner Erminia and Valfrino Tending the Wounded Tancred After the Battle with Argante, after Pier Francesco Mola
1802 -
Joseph Mallord William Turner Three Figures, after Francesco Primaticcio
1802 -
Joseph Mallord William Turner Studies on the River Thames around Wapping; a Sketch Copy of Benjamin Robert Haydon’s ‘Raising of Lazarus’
c.1823–4 -
Joseph Mallord William Turner Groups of Figures, Possibly Related to Benjamin Robert Haydon’s ‘Raising of Lazarus’
c.1823–4 -
After William Blake The Raising of Lazarus
date not known