Not on display
With the sketchbook turned horizontally, Turner filled centre this page with views of Tours seen from the city’s main bridge, the Pont de Tours. This is one of a substantial number of pages featuring sketches of the city and its environs in this volume, a list of which is provided in the sketchbook introduction. Turner subsequently used these drawings as the basis for multiple colour studies and finished watercolours on blue paper with a view to engraved reproduction; see especially Tate D24712 (Turner Bequest CCLIX 147). These culminated in four printed illustrations for Turner’s Annual Tour: Wanderings by the Loire and Seine (1833–5; later reissued as Rivers of France);1 see Tate impressions T04685–T04688.
Luke Herrmann, Turner Prints: The Engraved Work of J.M.W. Turner, Oxford 1990, pp.171–83.