Joseph Mallord William Turner

Trier from Pallien Looking up the Moselle to the Roman Bridge

1839

In Tate Britain

Prints and Drawings Room

View by appointment
Artist
Joseph Mallord William Turner 1775–1851
Medium
Graphite on paper
Dimensions
Support: 168 x 101 mm
Collection
Tate
Acquisition
Accepted by the nation as part of the Turner Bequest 1856
Reference
D28246
Turner Bequest CCLXXXVIII 43 a

Catalogue entry

Rendered with swift and summary line, this sketch depicts the ancient city of Trier and was taken from the neighbouring town of Pallien. The sweeping meander of the Moselle is shown, traversed by the arched Roman bridge or Römerbrücke which dates back to the second century AD.
Other views of Trier in this sketchbook include Tate D28186, D28206, D28207, D28244, D28247, D28249, D28250, D28255, D28256, D28258–D28260, D28263, D28264; Turner Bequest CCLXXXVIII 10a, 20a, 21, 42a, 44, 45a, 46, 49a, 50, 51–52, 54a, 55). The city is also depicted in earlier sketchbooks associated with Turner’s 1824 tour of the region; see the Rivers Meuse and Moselle sketchbook (Tate D19725, D19726, D19728–D19730, D19732–D19743; Turner Bequest CCLXXXVIII 88a, 89, 90–91, 92–97a; the Huy and Dinant sketchbook (Tate D20091, D20111, D20115; Turner Bequest CCXVII 5, 17a, 21; the Trèves and Rhine sketchbook (Tate D20141, D20142, D20145, D20146, D20148, D20149–D20154; Turner Bequest CCXVIII 3, 4, 7, 8, 10, 11–16. See also two gouache and watercolour drawings of the city: one of the Porta Nigra (Tate D20230; Turner Bequest CCXX W) and the other of Trier from the west (Tate D24715; Turner Bequest CCLIX 150).
Technical notes:
There is a brown stain at the centre right of the page, close to the gutter of the sketchbook. It has transferred onto the corresponding area of the folio opposite (Tate D28247; Turner Bequest CCLXXXVIII 44).

Alice Rylance-Watson
May 2013

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