In Tate Britain
- Artist
- Rose Wylie born 1934
- Medium
- Oil paint on canvas
- Dimensions
- Unconfirmed: 3660 × 3660 mm
- Collection
- Tate
- Acquisition
- Presented by Tate Members 2013
- Reference
- T13784
Display caption
Wylie’s subject matter is often drawn from popular culture. Ranging from film stars to footballers, she describes the people she paints as ‘shared contemporary gods, outside of art and religion’. Her bold paintings confront what she sees as society’s obsession with style and self-image. The ‘pin-up’ of the title is the figure on the left, based on Marilyn Monroe in the 1961 film The Misfits. The head on the right is Annabel Chong, drawn from Wylie’s memory of a television documentary about the pornographic film actress.
Gallery label, May 2019
Does this text contain inaccurate information or language that you feel we should improve or change? We would like to hear from you.
Explore
- abstraction(9,836)
-
- from recognisable sources(4,468)
-
- figure(2,273)
- formal qualities(12,564)
- toys and models(386)
-
- jigsaw(10)
- head / face(2,499)
- female(1,664)
- social comment(6,603)
-
- pornography(20)
- inscriptions(6,688)
-
- number(183)
You might like
-
Gary Hume Water Painting
1999 -
Norman Adams Christ’s Cross and Adam’s Tree
1989 -
Aubrey Williams Olmec Maya - Now and Coming Time
1985 -
Rose Wylie Lorry Art
2010 -
John Currin Honeymoon Nude
1998 -
Derek Jarman Ataxia - Aids is Fun
1993 -
John Lessore Diana and Actaeon at the Byam Shaw
1987 -
Gary Hume Yellow Hair
1998 -
John Lessore Apollo and Daphne
c.1985 -
Angus Fairhurst Unprinted I
2005 -
Steven Campbell The Dangerous Early and Late Life of Lytton Strachey
1985 -
George Condo Mental States
2000 -
Chris Ofili Double Captain Shit and the Legend of the Black Stars
1997 -
Ken Currie Scottish Mercenaries
1987 -
Gillian Carnegie rsXXII-/8-7
2007