Audio
Showing 21–40 of 1,592 items
Annette King on Salvador Dali's Autumnal Cannibalism
Annette King, paintings conservator, on the meaning of Dali’s title
Michael Wellen on Wilfredo Lam's Ibaye
Michael Wellen, curator on what attracts him to this Lam’s work
Annette King on Piet Mondrian's Composition B (No.II) with Red
Paintings conservator Annette King discusses Mondrian's ‘plan’ for this work
Alice Proctor on Edward Degas's Little Dancer
Art historian Alice Proctor discusses Degas’s Little Dancer
John Hegley on Henri Matisse's The Snail
Poet John Hegley on what he sees in The Snail
Lubaina Himid on Carrot Piece
Artist Lubaina Himid talks about the inspiration behind this work
Scottee on Gillian Wearing's Signs
Artist and writer Scottee explores working-class visibility in the art world and what this artwork means to him.
Artist Gillian …
Zoe Whitley on Chris Ofili's No Woman No Cry
Curator Zoe Whitley tells the story behind this work.
Artist Chris Ofili discusses the time period in Britain when he …
Rachel Barker on David Hockney's A Bigger Splash
Painting conservator Rachel Barker tells us about how she has studied this painting.
Artist David Hockney explains how to paint …
Lubaina Himid on Bridget Riley's Deny II
Artist Lubaina Himid discusses this work and how Bridget Riley has inspired her
Michelle Williams Gamaker on Magda Cordell's Figure
Artist Michelle Williams Gamaker talks about this work, telling us more about Magda Cordell and her life
Michael Symmons Roberts on L.S. Lowry's The Pond
Poet Michael Symmons-Roberts talks about the scene in this work and reveals a personal connection to Lowry
Richard Scott on Francis Bacon's Three Studies for Figures
Poet Richard Scott explains what this painting means to him
Gates Sofer on Barbara Hepworth's Forms in Echelon
Sculpture conservator Gates Sofer explores the materials used in this sculpture, and the artist Barbara Hepworth tells us about some …
Zoe Whitley on Ronald Moody Johanaan 1936
Curator Zoe Whitley talks about how Ronald Moody was inspired to make this work
160 cm Line Tattooed on 4 People
What questions does this work raise? Tate guide Amy Lin
Schad - Self Portrait
This painting is typical of the new objectivity movement of 1920s Germany. Tate guide Sue Hammerson
Rothko - 4
Why did Rothko refuse to complete his commission? Tate guide Sue Hammerson
Rothko - 3
Rothko was a colour field artist. Tate guide Sue Hammerson
Cage (1) - (6)
What are these paintings about? Tate guide Sue Hammerson?