Collection | Tate

Dudley, Worcestershire for Picturesque Views in England and Wales

Joseph Mallord William Turner

c.1832

On display at Tate Britain part of Turner & Constable Rivals & Originals

The Burning of the Houses of Lords and Commons, October 16, 1834

Joseph Mallord William Turner

exhibited 1835

On display at Tate Britain part of Turner & Constable Rivals & Originals

Remembered Skies

Martin Boyce

2017

On display at Tate Britain part of Tate Archive is 50

Portrait of Lee Miller, Paris

Man Ray

1929

On display at Tate Britain part of Lee Miller

Staffa, Fingal’s Cave

Joseph Mallord William Turner

exhibited 1832

On display at Tate Britain part of Turner & Constable Rivals & Originals

Fir Trees at Hampstead

John Constable

c.1833 ?exhibited 1834

On display at Tate Britain part of Turner & Constable Rivals & Originals

Ancient Italy: Ovid banished from Rome

Joseph Mallord William Turner

exhibited 1838

On display at Tate Britain part of Turner & Constable Rivals & Originals

Dido building Carthage, or The Rise of the Carthaginian Empire

Joseph Mallord William Turner

exhibited 1815

On display at Tate Britain part of Turner & Constable Rivals & Originals

The Mill Stream

John Constable

c.1810–14

On display at Tate Britain part of Turner & Constable Rivals & Originals

A Cottage at East Bergholt

John Constable

c.1836

On display at Tate Britain part of Turner & Constable Rivals & Originals

Stoke-by-Nayland

John Constable

c.1835–7

On display at Tate Britain part of Turner & Constable Rivals & Originals

Hadleigh Castle, The Mouth of the Thames – Morning after a Stormy Night

John Constable

exhibited 1829

On display at Tate Britain part of Turner & Constable Rivals & Originals

The Leaping Horse

John Constable

exhibited 1825

On display at Tate Britain part of Turner & Constable Rivals & Originals

Willy Lott’s House

John Constable

1816

On display at Tate Britain part of Turner & Constable Rivals & Originals

Stratford Mill

John Constable

exhibited 1820

On display at Tate Britain part of Turner & Constable Rivals & Originals

Stonehenge

John Constable

1835 exhibited 1836

On display at Tate Britain part of Turner & Constable Rivals & Originals

Installation view of the exhibition Pablo Picasso at Galerie Georges Petit, with annotations by Margaret Scolari Barr and Alfred H. Barr, Jr., featuring Head of a Woman (1924) T06928 (bottow row, second from the right)

Unknown artist

1932

On display at Tate Modern part of Theatre Picasso

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Northcote Whitridge Thomas

1910–1911

On display at Tate Modern part of Nigerian Modernism

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Northcote Whitridge Thomas

1910–1911

On display at Tate Modern part of Nigerian Modernism

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Northcote Whitridge Thomas

1910–1911

On display at Tate Modern part of Nigerian Modernism

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Dudley, Worcestershire for Picturesque Views in England and Wales

The Burning of the Houses of Lords and Commons, October 16, 1834

Remembered Skies

Portrait of Lee Miller, Paris

Staffa, Fingal’s Cave

Fir Trees at Hampstead

Ancient Italy: Ovid banished from Rome

Dido building Carthage, or The Rise of the Carthaginian Empire

The Mill Stream

A Cottage at East Bergholt

Stoke-by-Nayland

Hadleigh Castle, The Mouth of the Thames – Morning after a Stormy Night

The Leaping Horse

Willy Lott’s House

Stratford Mill

Stonehenge

Installation view of the exhibition Pablo Picasso at Galerie Georges Petit, with annotations by Margaret Scolari Barr and Alfred H. Barr, Jr., featuring Head of a Woman (1924) T06928 (bottow row, second from the right)

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

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Theatre Picasso

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Dudley, Worcestershire for Picturesque Views in England and Wales

The Burning of the Houses of Lords and Commons, October 16, 1834

Remembered Skies

Portrait of Lee Miller, Paris

Staffa, Fingal’s Cave

Fir Trees at Hampstead

Ancient Italy: Ovid banished from Rome

Dido building Carthage, or The Rise of the Carthaginian Empire

The Mill Stream

A Cottage at East Bergholt

Stoke-by-Nayland

Hadleigh Castle, The Mouth of the Thames – Morning after a Stormy Night

The Leaping Horse

Willy Lott’s House

Stratford Mill

Stonehenge

Installation view of the exhibition Pablo Picasso at Galerie Georges Petit, with annotations by Margaret Scolari Barr and Alfred H. Barr, Jr., featuring Head of a Woman (1924) T06928 (bottow row, second from the right)

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

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