Collection | Tate

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Self-portraits

On display at Tate Modern part of Tracey Emin: A Second Life

Baby things

2008

On display at Tate Modern part of Tracey Emin: A Second Life

Installation view of the exhibition Pablo Picasso at Galerie Georges Petit, with annotations by Margaret Scolari Barr and Alfred H. Barr, Jr., featuring Head of a Woman (1924) T06928 (bottow row, second from the right)

Unknown artist

1932

On display at Tate Modern part of Theatre Picasso

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

1910–1911

On display at Tate Modern part of Nigerian Modernism

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

1910–1911

On display at Tate Modern part of Nigerian Modernism

Drawings of uli motifs, with Northcote Thomas’s annotations. Few of Thomas’s fieldnotes survive from his anthropological surveys. There is, however, a collection of these drawings on sheets of notepaper, evidently made by different people during his 1910-

1910–1911

On display at Tate Modern part of Nigerian Modernism

Exterior and interior views of the decorated walls of the Iyiazi shrine in the Afo market, Amaeze, Agbadana, Agukwu Nri, present-day Anambra State, Nigeria. Photographed by Northcote W. Thomas in 1911.

1911

On display at Tate Modern part of Nigerian Modernism

Exterior and interior views of the decorated walls of the Iyiazi shrine in the Afo market, Amaeze, Agbadana, Agukwu Nri, present-day Anambra State, Nigeria. Photographed by Northcote W. Thomas in 1911.